Harry Potter and the Cursed Child – Parts One and Two – J.K. Rowling, John Tiffany and Jack Thorne
Published by Hachette New Zealand
The much-anticipated special rehearsal edition of the script book has finally arrived, with fans flocking to bookstores across the world to be among the first to read it. The eighth story in the Harry Potter series, set nineteen years after Harry Potter and the Deathly Hallows; the first official Harry Potter story to be presented on stage.
Having finished the book whilst lying in the sun one day last week, here are my thoughts:
- this edition is the script used by cast and crew during rehearsals for the stage show. As such, it provides an entirely different reading experience to the previous seven Harry Potter books. It’s a decent-sized book, but the format means it takes no time to read. The style of writing is quite different, and plays are always difficult to read as books (remember all those years of trying to read the plays of Shakespeare in English classes??) BUT – if you imagine how it would look on the stage…it would be brilliant.
- the play is written by Thorne, and is based on a story written by Rowling, Tiffany and Thorne; when you have the author of the original series combining with two newbies, you have to expect that it is going to be different in a lot of ways.
- our favourite young heroes are now grown-ups with families of their own, thus they are less exciting, less excitable, less endearing and less out-of-the-ordinary. The two main youngsters, Albus Potter and Scorpius Malfoy, are much more adventurous and fearless that their parents, but they are certainly not in the same league as young Harry, Hermione, Ron, Ginny and Draco.
- the wonderful magical aspects were still there, which was great, and I loved that Moaning Myrtle featured.
- adult Harry is a bit of a knob. He reminds me of a petulant four-year-old; he’s lost that adorable spark and faithfulness that made young HP a crowd favourite. He says some mean things to his son, and my feelings towards him were lukewarm for the remainder of the book.
- at the end of The Deathly Hallows, good triumphed over evil, Voldemort was vanquished and all was right with the world (apart from the obvious tragic losses)…the story had an ending; Harry had won. Fans were gutted, but everything finally came together and made sense. I’m not really sure what the publication of this new installment actually achieves in terms of those original books, because it doesn’t really add or change anything; it almost feels like a reality TV show, “Harry Potter: Where Are They Now?”
- [SPOILER ALERT] the play introduces the child of Bellatrix Lestrange and Voldemort, supposedly born before the Battle of Hogwarts. I struggled with this concept, but I do remember how much love Bellatrix had for the Dark Lord…so I decided to do some investigating, and came across this interesting piece that made me more open to the idea. Still…I found it weird.
I enjoyed Harry Potter and the Cursed Child, but I didn’t love it the way I loved its seven predecessors. Read it, but be prepared for it to be very different to the HP books you know.
Thank you to Hachette New Zealand for this review copy.